![]() How do you warp your audio? Share in the comments below. In addition, there are third-party plug-ins such as Synchro Arts’ VocALign PRO that perform this feature both manually and automatically. ![]() With many different types of Elastic Audio plug-ins to choose from, along with three warping types, experimentation is key when determining which type is best for you. Observe how the entire region compresses/expands equally. To perform the Accordion Warp, drag an Event Marker on either side of the Warp Marker. For this reason, the Accordion Warp is typically not suited for dialogue and vocal audio clips (though you may hear this type of warp during the impossibly fast speaking at the end of a radio spot). This is important because this type of warp affects the entire clip, compressing/expanding across all regions equally. The Accordion Warp can only be performed when there is one Warp Marker inside the clip. To transform a Transient Event Marker into a Warp Marker, simply hovering the grabber tool over the Event Marker until the ‘Telescoping Warp’ cursor appears, then option + click. To remove a Warp Marker, double-click, or option + click + grabber tool. To create a Warp Marker, press option + click + grabber tool. When each warp is completed, Elastic Audio will create a Warp Marker at the end of the affected clip. There should not be any Warp Markers near the Event Marker. To perform the Telescoping Warp, simply click and drag an Event Marker. Unlike Range Warp, Telescoping Warp applies time compression and expansion across the entire clip, or up until a Warp Marker. This allows you to change the relative time to each syllable without moving or warping any adjacent audio in the clip. This forces the adjacent Event Markers on either side of the Range Warp into Warp Markers, acting as the boundaries of the Range Warp. To perform Range Warp, simply hold shift and use the grabber tool to drag an Event Marker. Range Warp is typically the most useful from of Elastic Audio, as it will compress the audio on one side of the Event Marker while expanding it on the other side. If you have a long audio track it may be advised to split it into several clips, as there are different types of warps that may affect the whole clip. Additionally, Warp Markers act as boundaries to the Event Transient Markers. To add markers, press control + grabber tool. For dialogue and vocal performances, it’s common for Event Markers to be located at the start of each syllable and one where the last syllable of the vocal phrase ends. These markers notate the highest (loudest) transient peaks in your waveform. Now you will see the Event Transient Markers that Elastic Audio has generated. To begin, we will select the analysis view from the track view selector. Choose the correct Elastic Audio option in the Elastic Audio pop-up selector on the track header (for multiple tracks press option to enable): Analysis and Warping Audio featuring vocals or dialogue works best with the Monophonic algorithm. Percussive tracks with defined transient peaks such as drums or handclaps should use the Rhythmic algorithm. How you elasticize the audio will vary greatly depending on what type of track you are warping. There are five types of Elastic Audio plug-ins to choose from: Polyphonic, Rhythmic, Monophonic, Varispeed, and X-Form (the later features rendered processing only). Pro Tools offers real-time processing for Elastic Audio (displayed as a plug-in) as well as rendered processing for CPU conscious users. Elastic Audioīefore we begin there are a few things to discuss when it comes to warping audio. Whatever your reason for utilizing Elastic Audio, this tutorial focuses on the keyboard symbols, techniques and functions with their relationship to warping techniques in Avid’s Pro Tools. Dialogue editors may warp ADR to the location dialogue attempting to achieve perfect sync. Music editors may conform Event Markers to a grid, consequently “locking” drums into place and producing “solid” time. The concept of warping audio is the movement of Transient Event Makers in context to the underlying audio in association. Pro Tools’ Elastic Audio features powerful warping and time flexibility algorithms when editing rhythmic parts, dialogue and ADR.
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